Furniture
This is a Francois Carre sunburst cantilever garden chair.
Francois Carre was a renowned French furniture designer known for his innovative metalwork during the late 19th and early 20th centuries. His cantilevered garden chairs, characterized by their distinctive ‘wheel’ design and springy comfort, became highly sought after by wealthy patrons. These chairs were often featured in the gardens of grand estates and villas.
Carre’s designs were celebrated for their combination of elegance and durability, making them ideal for outdoor use. The cantilevered structure provided a unique rocking or bouncing motion, adding to the user’s comfort. Original Francois Carre chairs are now considered valuable antiques, prized by collectors for their historical significance and aesthetic appeal.
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Double X-benches have a long history, dating back to ancient times when folding stools were used for both practical and ceremonial purposes. The design gained popularity in Europe during the Renaissance and has been reinterpreted in various styles over the centuries. Modern versions of the double X-bench often incorporate contemporary materials and bold patterns, reflecting current design trends.
Animal prints, such as leopard or cheetah patterns, have been a recurring motif in interior design, symbolizing luxury and exoticism. The combination of the classic bench form with a modern animal print creates a statement piece that can add personality to a variety of interior spaces. These benches are often used as accent furniture in living rooms, bedrooms, or entryways.
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Ornate Mahogany Backbar in Three Sections 106 1/4" x 133" x 26"
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Biedermeier furniture is characterized by its clean lines, gracetul curves, and absence of excessive ornamentation. The style reflected the values of the rising middle class, who sought practical and aesthetically pleasing furnishings for their homes. Chairs, like these, often featured elegantly shaped backs, comfortable upholstered seats, and a focus on craftsmanship. The style's influence extended beyond furniture to architecture, interior design, and the decorative arts, leaving a lasting legacy on European design. One Biedermeier chair features a more ornate, possibly Art Nouveau-inspired back, while the the other Biedermeier chair has a simpler, shield-shaped back. The red floral upholstery adds a decorative touch, featuring leopards, monkeys, and peacocks. Newly re-upholstered.
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Regency furniture, popular in the early 19th century, is characterized by its elegant lines, classical motifs, and use of rich materials like mahogany. Duncan Phyfe, a New York cabinetmaker, became renowned for his interpretation of this style in America. His designs often incorporated lyre motifs, scrolled legs, and refined upholstery, reflecting the influence of ancient Greek and Roman forms.
These benches were often placed in front of windows, hence the name 'window seat,' and were designed to be both functional and decorative. The lyre back splat is a particularly distinctive element, showcasing the craftsmanship and attention to detail typical of the Regency period. Today, these pieces are valued for their historical significance and aesthetic appeal.
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Stools of this style often feature cabriole legs and nailhead trim, which are characteristic of both French and Italian furniture design from the 19th and early 20th centuries. The use of hardwoods like walnut or mahogany further indicates quality construction and attention to detail. Such pieces were often custom-made or acquired from high-end furniture retailers, reflecting the refined tastes of their owners.
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Ottomans have a rich history, originating in the Ottoman Empire where they were initially designed as cushioned platforms along the walls of rooms for seating. They later evolved into smaller, more mobile pieces of furniture, often serving as footstools or secondary seating options. During the Victorian era, ottomans became popular in Europe and America, reflecting a desire for comfort and luxury in domestic settings.
Vintage ottomans like this one often feature decorative upholstery and intricate woodwork, showcasing the craftsmanship of the period. The use of rich fabrics and ornate patterns adds to their aesthetic appeal, making them desirable pieces for collectors and interior design enthusiasts. The caster wheels suggest that this ottoman was designed for easy movement within a room.
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Neoclassical furniture emerged in the mid-18th century as a reaction against the ornate styles of the Rococo period. Drawing inspiration from ancient Greek and Roman designs, neoclassical furniture emphasized symmetry, clean lines, and classical motifs.
Common features include fluted columns, geometric shapes, and the use of luxurious materials such as marble and exotic woods.
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Ottoman Empire as cushioned seating without backs or arms. They were introduced to Europe in the late 18th century and became popular as versatile pieces of furniture in Victorian and later interiors. During the mid-20th century, ottomans often featured luxurious fabrics and decorative details, reflecting the glamour of Hollywood Regency style.
This particular ottoman's design, with its patchwork top and lacquered base, suggests a blend of styles. The scale-like pattern on the upholstery adds a touch of visual interest, while the corded edges and decorative trim enhance its overall elegance. Such ottomans were often used as footrests, extra seating, or even as decorative accents in living rooms and bedrooms.
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Neoclassical pedestals became popular in the 18th and 19th centuries as a way to display sculptures, vases, and other decorative objects. The style draws inspiration from ancient Greek and Roman architecture, characterized by clean lines, fluted columns, and symmetrical designs. These pedestals were often made of wood, stone, or marble, and were used in both domestic and public settings.
Marble tops added a touch of elegance and provided a durable surface for displaying items. The black finish on the fluted columns gives it a modern twist, while still retaining the classical form. These pedestals are still sought after today for their timeless appeal and ability to elevate the presentation of art and decorative objects.
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***SOLD*** Mid-century modern furniture design, which flourished roughly from the 1940s to the 1960s, emphasized clean lines, organic shapes, and innovative materials. Italian designers during this period were particularly influential, blending functionality with a distinct sense of style. Chairs from this era often featured a combination of wood frames and fabric upholstery, reflecting a focus on both comfort and aesthetics.
Floral patterns were a popular choice for upholstery during the mid-century, adding a touch of nature and vibrancy to interior spaces. Italian furniture makers were known for their craftsmanship and attention to detail, producing pieces that were both durable and visually appealing. These chairs would have been a stylish addition to a dining room or living area, reflecting the design sensibilities of the time.
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This is a J.H. Herman’s Furniture Company (Sandusky, OH) Georgian-style mahogany double pedestal dining table with five extension leaves and eleven matching chairs. Dated 1913.
Approximately 10’ x 4’ with all five leaves.
Herman's Furniture has been a pillar in Sandusky for well over 100 years. In 1898, Jacob H. Herman, a Russian immigrant, opened his furniture store on the corner of Market and Wayne streets. Though Mr. Herman had only a seventh-grade education, he had a great mind for business. He offered area residents a full line of household items and always stayed up-to-date with the latest products.
Through hard work and great customer service, Herman's Furniture has remained a trustworthy source for quality home furnishings. Herman's reputation has gained them customers not only in northern Ohio, but as far as Columbus, Ohio, Pittsburgh, Pennsylvania, Wilmington, North Carolina, St. Simons Island, Georgia, and Naples, Florida.
Photos show the table and chairs with all five leaves, then the table without the leaves.
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